Most AI ads look cheap. Mine look like cinema.
I'm Mathis Tayssier, a film director. I bring a filmmaker's eye to the same AI tools everyone else uses — so you get the atmosphere and impact of real cinema, delivered in days and at a fraction of what a traditional shoot would cost.
Director of the independent feature A Ghost in Paris and the genre series Enter the Terror.
The impact of a production, without its time or budget
AI made brand films fast and cheap. It did not make them good — because almost no one directing them is a filmmaker. That gap is the whole offer.
It looks like cinema, not AI.
A director's eye on every frame — light, rhythm, emotion — where most AI ads settle for a prompt.
It ships in days, not months.
No crew, no location, no shoot day to schedule around. The film exists this week.
It costs a fraction of a shoot.
The impact of a full production, without the six-figure line item that usually comes with it.
It comes in every version you need.
Vertical cuts, multiple edits, languages and markets — adapted without a single reshoot.
What I'll make for your brand
One cinematic hero film that sells the feeling of your product, plus the short cuts to carry it across social. A few of the registers I work in:
Gold and shadow
Desire staged as cinema — the slow, sensual register that makes a bottle feel like an object of want.
The can as hero
Kinetic, charged, felt in a single breath — the punch that stops a thumb mid-scroll.
Motion and scale
Adrenaline and grandeur — energy you can feel on screen, the register that lives or dies on craft.
A brand film is not a product shot with music. It is a world someone chooses to stay inside — and the difference between watching and wanting is direction.
Tell me about your brand. I'll send back a film idea — and a sample made for you. Let's talk.